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American musician

BT
BT in 2019
Background information
Nascence proper noun	Brian Wayne Transeau
Also known as	Prana Rubberband Chakra Elastic Reality Libra Dharma Kaistar GTB
Born	(1971-10-04) October 4, 1971 (age 50) Rockville, Maryland, U.Southward.
Genres	Electronic trance trip hop IDM house ambient breakbeat big beat glitch orchestral
Occupation(s)	Musician DJ vocalist songwriter composer audio engineer
Years active	1989–present
Labels	Warner Bros. Perfecto Reprise Vandit Headspace Nettwerk DTS 405 Black Hole New State Armada Enhanced Binary Acoustics
Associated acts	All Hail the Silence Sasha Paul van Dyk Tiësto Kirsty Hawkshaw January Johnston Christian Burns JES Tori Amos

Musical artist

Brian Wayne Transeau (born October 4, 1971), known by his initials as BT, is an American musician, DJ, singer, songwriter, composer and audio engineer. An artist in the electronica music genre, he is credited every bit a pioneer of the trance and intelligent dance music styles that paved the way for EDM,^[ane] and for "stretching electronic music to its technical breaking point."^[two] In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Anthology for These Hopeful Machines.^[3] He creates music inside a myriad of styles, such as classical, film composition, and bass music.

BT holds multiple patents for pioneering the technique he calls stutter editing.^{[4] [five]} This production technique consists of taking a minor fragment of sound and repeating it rhythmically, oftentimes at audio rate values while processing the resultant stream using avant-garde digital processing techniques.^[6] BT was entered into the Guinness Book of World Records for his song "Somnambulist (Simply Being Loved)", recognized as using the largest number of vocal edits in a song (half dozen,178 edits).^{[one] [4] [7]} BT's work with stutter edit techniques led to the germination of software evolution company Sonik Architects, programmer of the sound-processing software plug-ins Stutter Edit and BreakTweaker, and Phobos with Spitfire Sound.^[6]

BT has produced, collaborated, and written with a variety of artists, including Death Cab for Cutie, Howard Jones, Peter Gabriel, David Bowie, Madonna, Armin van Buuren, Sting, Depeche Way, Tori Amos, NSYNC, Blake Lewis, The Roots, Guru, Britney Spears, Paul van Dyk, and Tiësto. He has composed original scores for films such as Become, The Fast and the Furious, and Monster, and his scores and compositions accept appeared on telly series such as Smallville, Six Anxiety Under, and Philip 1000. Dick's Electric Dreams.^{[1] [8] [nine] [10] [xi]} He was commissioned to compose a 4-hour, 256 channel installation limerick for the Tomorrowland-themed area at Shanghai Disneyland, which opened in 2016.^[12]

Early on life and education [edit]

BT was born in Rockville, Maryland on October 4, 1971, to Romanian parents.^[three] His father was an FBI and DEA agent, and his mother a psychiatrist.^[10] BT started listening to classical music at the age of four^[xiii] and started playing classical piano at an early age, utilizing the Suzuki method.^{[4] [14]} Past the historic period of eight he was studying limerick and theory at the Washington Solarium of Music.^{[iii] [15] [sixteen]} He was introduced to electronic music through the breakdancing civilisation and the Vangelis score for the film Blade Runner, which led him to observe influential electronic music artists such as Afrika Bambaataa, Kraftwerk, New Order and Depeche Fashion.^{[13] [fourteen] [xvi]} In high school, he played drums in one band, bass in a ska band and guitar in a punk group.^[14] At 15, he was accepted to the Berklee College of Music in Boston, Massachusetts, where he studied jazz and enjoyed experimenting, such equally running keyboards through old guitar pedals.^{[xiv] [15] [16]}

Career [edit]

BT is a multi-instrumentalist, playing piano, guitar, bass, keyboards, synths, sequencers, the glockenspiel, pulsate machines and instruments he has modified himself.^{[14] [16]} His process for creating songs typically starts with composition on bones instruments, like the piano or an acoustic guitar.^[17]

1989–1994: Early career [edit]

In 1989, after dropping out of Berklee, BT moved to Los Angeles, where he tried, unsuccessfully, to get signed as a singer-songwriter. Realizing he should focus on the electronic music he was more passionate about, he moved back to Maryland in 1990 and began collaborating with friends Ali "Dubfire" Shirazinia and Sharam Tayebi of Deep Dish. Together they started Deep Dish Records.^{[xiv] [16] [18]} Early in his career, BT worked under a multifariousness of musical aliases, including Prana, Rubberband Chakra, Rubberband Reality, Libra, Dharma, Kaistar and GTB.^[9]

1995–1996: Ima [edit]

In the early years of BT'south career, he became a pioneering creative person in the trance genre, this despite the fact that he does not consider himself a DJ, since he infrequently spins records and comes from an eclectic music background.^{[16] [19]} When he started out, such common elements every bit a build, breakdown and driblet were unclassified. BT's was a unique estimation of what electronic music could exist.^[xx] His starting time recordings, "A Moment of Truth" and "Relativity", became hits in trip the light fantastic clubs in the United kingdom. His productions were not yet popular in the US, and he was initially unaware that he had become popular across the Atlantic, where UK DJs like Sasha were regularly spinning his music for crowds. Sasha bought BT a ticket to London, where BT witnessed his own success in the clubs, with several m clubbers responding dramatically when Sasha played BT'south vocal. He besides met Paul Oakenfold, playing him tracks that would make up his first album. He was quickly signed to Oakenfold's record characterization, a subsidiary of Warner Brothers.^{[3] [sixteen] [21]}

BT's 1995 debut album Ima, released on Oakenfold's label, was a progressive house effort.^[xvi] The opening rail, "Nocturnal Transmission", was featured in The Fast and the Furious. The album also featured a song with Vincent Covello. Blending firm beats with sweeping New Historic period sounds, Ima helped to create the trance sound.^[22] "Ima (今)" is the Japanese word for "now". BT has stated that it also means many other things and that the intention of the album is to have a different effect for anybody.

Following the release of Ima, BT began traveling to England regularly. It was during this time that he met Tori Amos. They would collaborate on his song "Blue Skies", which reached the number one spot on Billboard mag's Dance Club Songs chart in January 1997. This rail helped expand BT's notability beyond Europe, into North America. He before long began to remix songs for well-known artists such as Sting, Madonna, Seal, Sarah McLachlan, NSYNC, Britney Spears, Diana Ross and Mike Oldfield.^{[16] [23]}

1997–1998: ESCM [edit]

BT's 2d anthology, ESCM (acronym for Electric Heaven Church Music), released in 1997, features more complex melodies and traditional harmonies along with a heavier use of vocals. The tone of the album is darker and less whimsical than Ima. The album, every bit a whole, is much more than diverse than BT's debut, expanding into pulsate and bass, breakbeat, hip-hop, rock and vocally-based tracks.^[23]

The biggest hit from ESCM was "Flaming June," a modern trance collaboration with German DJ Paul van Dyk.^[23] Van Dyk and BT would go along to collaborate on a number of works, including "Namistai" (found on the later anthology Movement in Nonetheless Life), besides as van Dyk's remix of BT's "Blue Skies" and "Recall". "Remember" featured Jan Johnston on vocals, and reached #ane on the Billboard Dance Gild Songs chart.^[24] BT and Van Dyk as well remixed the van Dyk classic "Forbidden Fruit" as well as Dina Carroll's "Run to You", and BT collaborated with Simon Hale on "Firewater" and "Remember."^[4]

1999–2002: Motility in Still Life [edit]

BT playing an acoustic version of "Satellite" from his 1999 album, Motion in Still Life, in 2006

In 1999, BT released his third album, Movement in Nonetheless Life, and continued his previous experimentation outside of the trance genre.^{[22] [25]} The album features a stiff element of nu skool breaks, a genre he helped define with "Hip-Hop Phenomenon"^[nine] in collaboration with Tsunami One aka Adam Freeland and Kevin Beber.^[26] Along with trance collaborations with Paul van Dyk and DJ Rap, Movement includes pop ("Never Gonna Come Dorsum Downwardly" with Thou. Doughty on vocals), progressive business firm ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill – Mic Chekka", which samples Grandmaster Wink and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop break).^[23] "Shame" and "Satellite" lean toward an alt-stone sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Downward the Way Upwards", a collaboration with fellow electronic human activity Hybrid, features sultry vocals and acoustic guitars heavily edited into a progressive breakbeat runway.

"Dreaming" and "Godspeed" reached number 5 and number 10 on the Billboard Dance Club Songs chart, respectively,^[27] "Never Gonna Come Dorsum Downwardly" reached #ix the Billboard Dance Order Songs chart^[28] and number 16 on Billboard's Culling Songs nautical chart,^[29] and the anthology reached number 166 on the Billboard 200 album charts.^[30]

Long interested in branching out into pic scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 moving picture virtually dance music civilisation. Shortly after creating the score, BT moved to Los Angeles in order to further pursue film scoring. He besides began writing music for cord quartets to prove his capabilities beyond electronic music. He was and then hired to score the pic Under Suspicion with a lx-piece string section.^{[xvi] [22]} For The Fast and the Furious, BT's score featured a seventy-piece ensemble, forth with polyrhythmic tribal sounds produced by orchestral percussionists banging on car chassis.^[14]

In 1999, BT collaborated with Peter Gabriel on the anthology OVO, the soundtrack to the Millennium Dome Show in London.^[22] In 2001, he produced NSYNC'due south striking single "Pop", which won a 2001 Teen Choice Award for Pick Single, won four MTV Video Music Awards, and reached number 19 on the Billboard Hot 100 and number nine on the United kingdom of great britain and northern ireland Singles chart.^[4] In 2002, BT released the compilation album 10 Years in the Life, a ii-disc drove of rarities and remixes, including "The Moment of Truth", the first runway he ever recorded.^[10]

2003–2005: Emotional Engineering science [edit]

BT's fourth studio album, released on Baronial five, 2003, featured more than song tracks than his previous fare, including 6 with vocals by BT himself. Emotional Technology was his most experimental album to appointment, exploring a range of genres; many consider information technology the "poppiest" of all his work. Emotional Technology spent 25 weeks on the Billboard Trip the light fantastic toe/Electronic Albums chart, reaching the top spot,^[31] and it reached number 138 on the Billboard 200 charts.^[32] The biggest unmarried from the album, "Somnambulist (Simply Beingness Loved)", draws heavily from the breakbeats and new wave dance of New Order and Depeche Manner, whom BT has cited equally major influences.^[22] "Somnambulist" holds the Guinness World Tape for the largest number of vocal edits in a single track, with 6,178.^{[1] [7] [33]} It reached number five on the Billboard Trip the light fantastic Club Songs chart^[34] and number 98 on the Billboard Hot 100.^[35]

BT ventured into television product for Tommy Lee Goes to College for NBC in 2005. It starred Mötley Crüe drummer Tommy Lee. He executive-produced the reality goggle box serial, the idea for which he developed and sold to NBC.^[19]

BT worked with Sting on his album Sacred Love, co-producing the rail "Never Coming Home".^[36]

2006–2009: This Binary Universe [edit]

BT'southward fifth studio album, This Binary Universe, released on August 29, 2006, is his 2d album released in v.1 surround audio,^{[37] [38]} the first being the soundtrack to the 2003 film Monster.

The double anthology highlights a mix of genres, including jazz, breakbeats and classical. Three songs characteristic a total 110-piece orchestra. Dissimilar his previous two albums, which featured vocals on most every runway, this anthology is entirely instrumental. The tracks change genres constantly. For instance, "The Antikythera Machinery" starts off almost lullaby-like, consummate with a piano, audio-visual guitars and reversed beats; halfway through the rails, it explodes with a 110-piece orchestra, followed by a department of breakbeats and ending with the de-structure of the orchestra. Blithe videos created past visual effects artist Scott Pagano to back-trail each song were included in a DVD packaged along with the CD.^{[xvi] [37]} This Binary Universe reached number 4 on the Billboard Dance/Electronic Albums nautical chart.^[39] BT's company, Sonik Architects, built the pulsate car (the start in surround sound) used on the album.^[xvi]

Keyboard magazine said of the album, "In a hundred years, it could well be studied as the first major electronic piece of work of the new millennium."^[40] Wired called it an "innovative masterpiece."^[41]

In November and December 2006, BT toured the album with Thomas Dolby opening.^[xvi] The concert featured a live slideshow of images from DeviantArt as a backdrop.^[42] All the shows were done in v.ane surround audio, with BT playing piano, bass and other instruments live, and also singing on a cover of "Mad World" past Tears for Fears.^[43] Earlier in 2006, BT performed with an orchestra and conductor and visuals for an audition of xi,000 at the Video Games Alive concert at the Hollywood Bowl in Los Angeles.^[sixteen]

2010–2011: These Hopeful Machines [edit]

BT performing at GearFest in 2011

BT's sixth studio anthology, These Hopeful Machines, was released on Feb 2, 2010. The double album features dance-pop, trance, firm, breaks, soundscapes, orchestral interludes, acoustic guitar and stutter edits. With BT spending several years perfecting the album, mathematically placing edits and loops to create "an anthology of ultimate depth and movement,"^[41] each of the songs went through a lengthy recording process. BT has estimated that each song on the album took over 100 sessions to tape, adding that "Every Other Style" took 2 months to write and record, working 14 to 20 hours a twenty-four hour period, 7 days a week.^[15] These Hopeful Machines was nominated for a 2011 Grammy Honor for Best Electronic/Dance Album.^[3]

The album features guest appearances from and collaborations with Stewart Copeland of The Police, Kirsty Hawkshaw ("A Million Stars"), JES ("Every Other Way" and "The Calorie-free in Things"), Rob Dickinson ("E'er" and "The Unbreakable"), Christian Burns ("Suddenly", "Emergency" and "Forget Me") and Andrew Bayer ("The Emergency").^{[6] [41]} It contains the nearly singles released from any BT anthology, with eight of the 12 tracks released every bit singles. Official remixes were made by Armin van Buuren and Chicane. It reached number 6 on the Billboard Dance/Electronic Albums nautical chart^[44] and number 154 on the Billboard 200 album charts.^[45] The singles "Emergency" and "Rose of Jericho" reached numbers 3 and five on the Billboard Trip the light fantastic Gild Songs chart, respectively.^[46]

A remix album, titled These Re-Imagined Machines was released in 2011. These Humble Machines, an un-mixed album featuring shorter "radio edit" versions of the tracks (similar to the US version of Movement in Still Life) was also released in 2011.^[47]

2012: If the Stars Are Eternal So Are You and I and Morceau Subrosa [edit]

On June 19, 2012, BT released If the Stars Are Eternal Then Are You and I, forth with Morceau Subrosa, his seventh and eighth studio albums. If the Stars Are Eternal So Are Y'all and I was an about-face up from BT'south previous album These Hopeful Machines, utilizing minimal beats, ambient soundscapes, and glitch music, as opposed to the electronic music way of These Hopeful Machines. Morceau Subrosa is very different in style compared to almost of BT'south previous works, favoring ambience soundscapes and minimal beats.^[48]

2013–2014: A Song Across Wires and radio shows [edit]

BT'south ninth studio album, A Song Across Wires, was released worldwide on Baronial 16, 2013.^[20] Blending elements of trance, progressive house and electro,^[twenty] the club music-oriented album reached number five on the Billboard Dance/Electronic Albums chart,^[49] and features four Beatport No. one trance singles: "Tomahawk" (with Adam K), "Must Be the Love" (with Arty and Nadia Ali), "Skylarking" and "Surrounded" (with Au5 and Aqualung).^[43] On the album, BT too collaborates with Senadee, Andrew Bayer, Tania Zygar, Emma Hewitt, JES, Fractal, tyDi and K-pop singer Bada.^[l]

In 2012, he released the mix collection Laptop Symphony, based on his laptop performances on his Sirius XM radio show, which range from dubstep to drumstep to progressive to trance.^[51] In 2013, he started a new Sirius XM radio programme, Skylarking, on the Electric Area channel.^[52]

2015–2019: Electronic Opus, All Hail the Silence, _ and ‡ [edit]

On Nov x, 2014, BT appear a Kickstarter project with Tommy Tallarico to produce Electronic Opus, an electronic symphonic anthology with re-imagined, orchestral versions of BT's songs. The project reached its oversupply-funding goal of $200,000.^[53] A live orchestra played during Video Games Live on March 29, 2015, while the album was released on October 12, 2015.^{[54] [55]}

On March vii, 2012, it was announced that BT and Christian Burns had formed a band called All Hail the Silence, with encouragement from Vince Clarke. They released their first unofficial single, "Looking Drinking glass", online in 2012.^[56] On July 21, 2014, Transeau and Burns announced that their band would be touring with Erasure in the fall of 2014 for the album The Violet Flame.^[57] On August 24, 2016, the band announced that they would release a limited edition colored 12" vinyl collectible extended play entitled AHTS-001 with Shopify on September 19, 2016.^[58] On September 28, 2018, the band released their beginning official single, "Diamonds in the Snow", along with its accompanying music video.^[59] They released the music video for "Temptation" in December 2018.^[threescore] The band's offset album, Daggers (stylized equally ‡), was released on January 18, 2019.^{[61] [62]}

On December fourteen, 2015, BT disclosed news to DJ Mag about a new album to come past early 2016. Like to This Binary Universe, BT explained that "the entire tape is recorded in a way [I've] never recorded anything earlier," and that it has a "modular, ambience aesthetic".^{[63] [64]} The album, _, was released digitally on October 14, 2016, and physically on Dec 2, 2016, via Black Hole Recordings, along with an accompanying film.^[65] Due to the restrictions of most music sites, which forestall blank album titles, BT chose to name the album the underscore character "_". BT has admitted that this title has resulted in complaints from fans about difficulties in finding the anthology on popular services due to the disability of most search engines to handle the "_" grapheme.^{[66] [67]} On January 17, 2017, BT released _+, an extended version of _.^[68]

On October 10, 2019, BT announced on Instagram that two new albums were slated for release in the Fall of 2019: Between Hither and You, an ambient anthology consisting of ten tracks, and Everything Y'all're Searching for Is on the Other Side of Fearfulness, a 17-track anthology with sounds alike to those from This Binary Universe and _. Betwixt Hither and Yous was released on Oct 18, 2019^[69] and reached the number 1 spot on the Electronic Albums Chart on iTunes.^[70] Everything You're Searching for Is on the Other Side of Fear was released on Dec thirteen, 2019.^{[71] [72]}

2020–present: The Lost Art of Longing, Genesis.json and Metaversal [edit]

On June 19, 2020, BT released the single "1AM in Paris / The State of war", which featured vocalist Iraina Mancini and DJ Matt Fax.^[73] On July 17, 2020, another single, "No Alarm Lights" was released, featuring Emma Hewitt on vocals.^[74] It was later announced that The Lost Fine art of Longing would be his thirteenth album, released on August 14, 2020.^[75]

In May 2021, Transeau entered into the earth of NFTs by composing music for a digital artwork piece entitled "DUNESCAPE XXI", and before long later auctioning off a digital artwork piece entitled "Genesis.json", which includes 24 hours worth of original music that contains an Indian raga and 15,000 paw-sequenced audio and visual moments. The artwork is programmed to give a special message on the owner's birthday and is the "simply work of art that puts itself to slumber" on a certain time.^[76] In September 2021, BT appear his 14th album Metaversal, which was created and programmed entirely on a blockchain for release on September 29. The album was released publicly on November 19.^{[77] [78]}

Pic, TV and video game scores [edit]

BT began scoring films in 1999 with Go. Since then he has scored over a dozen films, including The Fast and the Furious, Monster, Gone in threescore Seconds, Lara Croft: Tomb Raider and Catch and Release.^{[14] [16] [22] [40]} His soundtrack for Stealth featured the vocal "She Tin can Practise That", with pb vocals from David Bowie.^[16] BT produced the score for the 2001 film Zoolander, merely had his proper noun removed from the project. His tracks for the film were finished past composer David Arnold. BT also equanimous music for the Pixar blithe brusque movie Partysaurus Rex, released in 2012 alongside the 3D release of Finding Nemo.^[51]

He has scored the video games Dice Hard Trilogy 2: Viva Las Vegas (2000), Wreckless: The Yakuza Missions (2002), FIFA Football 2002 (2002), Need for Speed: Underground (2003) and Tiger Woods PGA Tour 2005 (2004). He made the official second-long alarm tone for the Circa News app.^[ane] In 2013, he scored Expose, a 13-episode drama on ABC.

In 2014, BT was selected by Walt Disney Visitor executives to score the music for the Tomorrowland-themed area at Shanghai Disneyland, which opened in 2016. He spent more two years on the project, writing more than four hours of music that are played out of more than 200 speakers spread throughout Tomorrowland. BT called the undertaking "one of the most thrilling experiences of my life."^[12]

Software [edit]

Sonik Architects [edit]

During the production of This Binary Universe, Transeau wanted to program drums in environment sound, and found that software tools to accomplish this weren't readily available. He decided to develop his own, forming his own software company, Sonik Architects, to create a line of sound design tools for the studio and another line of tools and plug-ins designed for alive functioning. The company's first release was the drum motorcar surround sound sequencer BreakTweaker, a PC plug-in.^{[sixteen] [79]} In 2009, Sonik Architects released Sonifi, a production for the iPhone, iPad and iPod Touch that enables musicians to replicate BT's stutter edit issue alive.^{[80] [81]} BT himself has used it during alive shows.^[81]

In December 2010, Sonik Architects was acquired by software and music production company iZotope,^[82] and at the Winter NAMM Show in January 2011, the Stutter Edit plug-in, based on BT'due south patented technique of real-time manipulation of digital audio, was released past iZotope and BT.^[83]

In 2020, Transeau released an upgraded version of his Stutter Edit plug-in with iZotope, called Stutter Edit 2. This version includes more sound effects, more presets, and new features such as Auto Mode and the Curve editor.^{[84] [85]}

Other software [edit]

Transeau is a user of digital sound workstation FL Studio and he was included in the Ability Users section on Prototype-Line'due south site in 2013.^[86] In 2014, BT collaborated with Boulanger Labs in creating the Leap Motility app Muse, a device that allows users to compose their own ambient sounds using gestural command.^[43] He also adult a standalone plugin synthesizer chosen BT Phobos for the music software company Spitfire Audio, which was released on Apr 6, 2017.^{[87] [88] [89] [xc]} BT created presets for the synth plugin Parallels, released by Softube in 2019.^[91] He also created analog synth tone patches for the synthesized Omnisphere 2, created past ILIO.^[92]

In 2022, BT released the reverb Tails^[93] with Unfiltered Sound and the synth plugin Polaris with Spitfire.^[94]

Personal life [edit]

BT lives with his daughter in Maryland. In 2008, he was involved in dispute about his daughter's custody with the child's mother, Ashley Duffy.^{[95] [96]} He is an avid scuba diver, and supports the preservation of sharks.^[97] In February 2014, BT partnered with EDM lifestyle brand Electrical Family to produce a collaboration bracelet for which 100% of the proceeds are donated to the Shark Trust.^[98] On October 19, 2014, BT was married to Lacy Transeau (née Bean).^[99]

Awards and nominations [edit]

Grammy Awards [edit]

Year	Nominated piece of work	Category	Issue
2011	These Hopeful Machines	Grammy Laurels for Best Electronic/Trip the light fantastic Album[iii]	Nominated

International Dance Music Awards [edit]

Beatport Music Awards [edit]

Computer Music Awards [edit]

Discography [edit]

Studio albums

• Ima (1995)
• ESCM (1997)
• Motion in Still Life (1999)
• Emotional Engineering (2003)
• This Binary Universe (2006)
• These Hopeful Machines (2010)
• If the Stars Are Eternal So Are Yous and I (2012)
• Morceau Subrosa (2012)
• A Song Across Wires (2013)
• _ (2016)
• Betwixt Here and You (2019)
• Everything You're Searching for Is on the Other Side of Fear (2019)
• The Lost Art of Longing (2020)^[102]
• Metaversal (2021)^{[77] [78]}

With All Hail the Silence

• Daggers (2019)

Encounter besides [edit]

• List of Number 1 Dance Hits (United States)
• List of artists who reached number one on the U.South. Trip the light fantastic nautical chart
• Granular synthesis
• Stutter edit

References [edit]

1. ^ ^{a b c d e} Tyler Greyness, "Would You Want to Hear This New Circa News Sound Whenever News Breaks?" Fast Visitor, Oct 3, 2013.
2. ^ Curtis Argent, "BT Talks These Hopeful Machines, Math and Inspiration," Wired, Feb ii, 2010.
3. ^ ^{a b c d due east f} BT, "First-Time Nominee: BT (Part One)," Grammy.com, January 18, 2011.
4. ^ ^{a b c d eastward} Clayton Perry, "Interview: Brian Transeau – Vocalizer, Songwriter and Producer," Seattle Mail-Intelligencer, Apr 26, 2011.
5. ^ Method and Apparatus for Digital Audio Generation and Manipulation, Patent #793587911551696; Time Varying Processing of Repeated Digital Audio Samples in Accordance with a User Defined Effect, Patent #814549611807214.
6. ^ ^{a b c} Cosmin Lukacs, "Interview With BT aka Brian Transeau," Archived Feb xvi, 2011, at the Wayback Machine Trance Sound, September 10, 2010.
7. ^ ^{a b} DJ Ron Slomowicz, "21 Records That Made Me Happy to Exist a DJ," About.com. Accessed Baronial 3, 2014.
8. ^ David Battino, Kelli Richards, The Art Of Digital Music, Backbeat Books, 2005, p. 10
9. ^ ^{a b c} Damon Fonooni, "Embracing BT," Archived June 24, 2012, at the Wayback Automobile Lunar, 2002.
10. ^ ^{a b c} Steph Evans, "Earmilk Interview: BT," Earmilk, Baronial 20, 2013.
11. ^ "New Episodes of 'Philip M. Dick's Electric Dreams' to Feature Music by Mark Isham, BT & Conduct McCreary". Moving picture Music Reporter. January 9, 2018.
12. ^ ^{a b} Newman, Melinda (June xvi, 2016). "Meet the Composer Who Wrote the Music for Shanghai Disneyland's Tomorrowland". The Hollywood Reporter.
13. ^ ^{a b} Tim Bomba, "Home is where the art is," The Hollywood Reporter, November 14, 2006.
14. ^ ^{a b c d e f k h} Richard Buskin, "Brian Transeau: Emotional Experience," Archived August 8, 2014, at the Wayback Machine Sound on Sound, December 2001.
15. ^ ^{a b c} "BT Wears His Lab Coat for These Hopeful Machines," Keyboard, February 26, 2010.
16. ^ ^{a b c d due east f grand h i j k l m due north o p q} Mark Small-scale, "Berklee Today," Berklee.edu. Retrieved Baronial 3, 2014.
17. ^ Brittany Gaston, "Hot on the heels of controversy, dance music legend BT releases his ninth studio LP," Archived Baronial 8, 2014, at the Wayback Auto Beatport, August xiv, 2013.
18. ^ "Hyperreal.org".
19. ^ ^{a b} Muther, Christopher (October 2, 2004). "The world at his fingertips". The Boston Earth.
20. ^ ^{a b c} Rafael De La Torre, "EDM Interview: Magnetic Catches Up With BT To Hash out New Album," Magnetic, June 14, 2013.
21. ^ Kara Nesbitt, "Elite Daily Talks 'A Song Across Wires' & More With B.T.," Archived Baronial 6, 2014, at annal.today Elite Daily, August 21, 2013.
22. ^ ^{a b c d e f} Geoff Boucher, "He'south Breaking the Spell of Trance Music," Los Angeles Times, August twenty, 2000.
23. ^ ^{a b c d} Ravi Baskaran, "Beatific," Broward/Palm Embankment New Times, July thirteen, 2000.
24. ^ "Remember," Billboard Dance Lodge Songs, Billboard. Retrieved Baronial 3, 2014.
25. ^ Sean Bidder, "Trance Defector," URB, July/August 2000.
26. ^ "BT – Move In Withal Life (CD, Album) at Discogs". Discogs. 2011. Retrieved January nine, 2011.
27. ^ "Godspeed," Billboard Dance Order Songs, Billboard. Retrieved August 3, 2014.
28. ^ "Never Gonna Come Back Downwards," Billboard Dance Gild Songs, Billboard. Retrieved August 3, 2014.
29. ^ "Never Gonna Come Dorsum Down," Alternative Songs, Billboard. Retrieved August iii, 2014.
30. ^ "Movement In Withal Life," Billboard 200, Billboard. Retrieved August 3, 2014.
31. ^ "Emotional Engineering," Billboard Trip the light fantastic/Electronic Albums. Retrieved August three, 2014.
32. ^ "Emotional Technology," Billboard 200, Billboard. Retrieved August 3, 2014.
33. ^ Greg Rule, "Drumming, Mixing & Editing Tips From BT," Pulsate! July 2010.
34. ^ "But Beingness Loved (Somnambulist)," Billboard Dance Club Songs. Retrieved Baronial 3, 2014.
35. ^ "Just Being Loved (Somnambulist)," Billboard Hot 100. Retrieved August 3, 2014.
36. ^ "Sting - Sacred Love".
37. ^ ^{a b} "BTs' Last FM site".
38. ^ David Murphy and Dave Powers, "Digital Music Innovators," PC Mag, August two, 2006.
39. ^ "This Binary Universe," Billboard Dance/Electronic Albums. Retrieved August 3, 2014.
40. ^ ^{a b} Stephen Fortner, "The Heed Of BT," Keyboard, December 2005.
41. ^ ^{a b c} Curtis Silver, "BT Talks These Hopeful Machines, Math and Inspiration," Wired, February 2, 2010.
42. ^ "DeviantArt Presents BT and Thomas Dolby".
43. ^ ^{a b c} Dan Olbrych (January 7, 2014). "BT on New Production Tech: 'Holy South**t!'". DJ Times. Archived from the original on February 12, 2014.
44. ^ "These Hopeful Machines," Billboard Dance/Electronic Albums. Retrieved August 3, 2014.
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External links [edit]

• Official website
• BT at IMDb
• BT discography at Discogs

treadwayvellut.blogspot.com

Source: https://en.wikipedia.org/wiki/BT_%28musician%29

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